Two hunters, one victim, different motives, movie review A few bucks more.

I'm a humble chef, however, I will try to correctly formulate my thoughts in regards to the film, because it's very dear to my heart.

If men which has a revolver gets away from the train inside prologue of Sergio Leone's film, then he has to have something to say. The silent wanderer looks after a bitter story deep in his heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and within his eyes you can see anger that's accumulated in the years. He's not who he seems. The wanderer's name is Douglas Mortimer, an ancient military man and now a bounty hunter. If viewers with the film listen to your words of an flabby old man chained with a bed (a funny grandpa appears closer towards core of the film), they're going to learn the trains, these damned and noisy objects, are at fault for everything. Alas, but earthly hardships are not confined to trains and Douglas Mortimer is well aware of this, his problem is made of bones, flesh and blood. The smoothness, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but not just revenge is the hub of the plot of Sergio Leone's brainchild, because as well as the retired colonel, there is another hero within the film. Fast, accurate, discreet, another bounty hunter. A minimum of curious, but at the most wildly interesting, specifically when the “one-armed” shooter is played by Bruce Lee in the world of Westerns - Clint Eastwood. You can reckon that the paths of Mortimer along with the nameless shooter will cross in the sunshine on the wild west. The spaghetti is already in the pot.

In A Few Dollars More, phrases for instance “in 10-20 minutes you'll be smoking in hell” or “you will need a new sheriff” are inevitable. The hero of Clint Eastwood is shown for a shooter whose abilities could be relevant in a very science fiction novel, but everything that is considered should not be attributed to the disadvantages from the narrative. Including the most absurd moments within the Western genre and within the skillful direction of Sergio Leone become salt for spaghetti, and situation in the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers in the screens, which are in all likelihood visited by such thoughts: ¬¬ “I'm wondering what will happen further? Will One-Armed and Colonel Mortimer find mutual understanding? ” “Some dollars more” - shootings, chases, music of contributions, personifying the arrival of death, here satire, coupled with foolishness, lives next to each other with drama and ironically interpreted religious motives. And, finally, the story plot shown by Sergio Leone may be the archetype of various paintings, where partnerships flow into friendship, though into a sort of friendship, in this particular friendship a friend can shoot a buddy while in the neck to ensure he isn't killed through the thugs of the ultimate boss. The hearth is burning below the pan. The spaghetti sets out to boil.

Sergio Leone's tape is actually a classic in the genre, and this can be easy to understand by the sound of bullets fired from the heroes, bank robberies and also the long glances that two shooters exchange prior to decisive shot, that shot that decides human destiny. The creators not simply highlight their creation (and they certainly it well), but additionally touch on burning topics using episodes of the film, not being afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. Additionally, it really is over interesting to observe a lot of Clint Eastwood and Lee Van Cleef - the heroes of the previous and new generation of westerns who, with regards to the photos of Manco (One-armed) and Colonel Mortimer, now and continue to prove something to one another, competing inside having a revolver and doing of sieve hats. Hmm, something's heating up with the food prep, phew, you're ready serve spaghetti about the table. Winnie, the guests are waiting, hurry up, there're hungry and now taste Leone's signature spaghetti. It's difficult a great expressive chef to find the best helper these days. Spaghetti is served, but wait a minute, dear guests.

Undoubtedly, Sergio Leone as part of his “A Few Dollars More” demonstrates to the world of cinema the lion's share of his talent and professionalism, and the picture itself may very well be hypertrophied dominating before the 1st film on the trilogy, which attracted the eye in the expressive Akira Kurosawa. Many years later, Leone's brainchild tries to please many people, as well as film succeeds: those viewers who crave a dramatic story understand it, individuals that love shooting and duels are satisfied, and connoisseurs of satirical humor is going to be satisfied after watching. Structure music, you are able to speak briefly - Ennio Morricone. Dear listeners, perhaps I will be too excited, which makes my head somewhat confused, but for those who watch a fantastic film of my fellow countryman putting on, you may be convinced of your correctness of my words. However, I will not hide my bias, I actually love the stories in regards to the shooters from the wild west, where the two main contrasting bounty hunters chasing the same victim, and not the exact same motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!

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